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The Problem Wasn’t Knowledge — It Was Entry Cost I’ve always wanted to tackle low-level hardware, but the problem was never motivation—it was the high entry cost. Getting oriented enough to begin would have taken weeks or months of reading and false starts, and at this stage in my career, I don’t have unlimited time. Without AI, the orientation cost for this hobby project would have been too high to attempt. ...

The Falcon Rises in Indy: Re-Falcon 030 and the Quest for Digital Immortality Update (March 25, 2026): After posting this, I heard from Steve Suavek (the creator of the Re-Falcon). He provided some fascinating technical context regarding the 8-layer PCB design and how it addresses the original Falcon’s “clock patch” issues. I’ve updated the Engineering section below with his insights. I actually sat down at my desk this past weekend with every intention of making progress on my own coding projects. I had my environment ready, but as I was settling in, a stray Facebook notification caught my eye. I don’t check it often, but this one stopped me: the Re-Falcon was on display at the Indy Classic expo. ...

Tom Verlaine was the guitarist, singer, and primary songwriter for Television, a late-’70s New York band whose 1977 album Marquee Moon became one of the most influential guitar records of the post-punk era. Television never chased mainstream success, but their interlocking guitars, restraint, and sense of space went on to shape decades of alternative and indie music. Verlaine died in January 2023. Tom Verlaine with Television at El Club in Detroit, MI, on May 4, 2019. I only saw him once, but I’m grateful I had the opportunity. ...

I’ve been a developer long enough to remember when this was the year of the Linux desktop. We heard it every year. The technology was there. The talent was there. The passion was definitely there. What never quite materialized was coordination — agreement on where collaboration should stop and competition should begin. So when I look at what’s happening today around editors and AI tooling, I don’t feel outrage. I don’t feel betrayed. I mostly feel a familiar, slightly exhausted thought forming: ...

In 2013 I bought a $51 Brother HL-2230 laser printer. Twelve years, two marriages, multiple operating systems, and several computing eras later, it still just works. This is the long-term review it deserves.

I didn’t expect to make sixty-six bucks in a restaurant — I just wanted to know how Apple lets these “win cash” apps exist. What I found says a lot about how the App Store lost its grip on trust. Note: This piece combines my personal experience as a developer with publicly verifiable facts. Some sections include opinion and interpretation; those are presented as commentary, not as claims of fact. ...

There’s a quiet kind of genius behind GFI steel guitars — the kind that doesn’t get loud applause on forums, but earns respect from anyone who’s ever torn one apart and realized how smartly it’s built. In a world where complexity often gets mistaken for craftsmanship, GFI reminded us that simple can be smart. Their guitars aren’t minimalistic for the sake of it — they’re simple in a good way. Every part has a purpose. Every mechanism is there because it needs to be. There’s no wasted motion, no excess flash, no unnecessary friction — mechanically or otherwise. ...

An in-depth look at how Hollywood’s digital transition quietly dismantled the movie theater business, long before the pandemic.

Jeff Newman’s lessons may be decades old, but for players rooted in Americana and alt-country, they’re as relevant as ever.

Every once in a while, a song pops up on a playlist that stops you in your tracks — not because it’s great, not because it’s bad, but because something in it is just so weird you can’t un-hear it. In this case, I wasn’t digging through Alabama’s catalog on purpose. The Closer You Get (1983) just surfaced on an Apple Radio playlist one day. Left to my own devices, I never would have clicked play. But there it was — and suddenly I was laughing out loud at the snare drum. ...